It all turned to shit Four years ago today

Ann Miller was born Johnnie Lucille Ann Collier in Chireno, Texas, daughter of Clara Emma (née Birdwell) and John Alfred Collier, a criminal lawyer who represented Bonnie Parker, Clyde Barrow and Baby Face Nelson, among others. Miller's maternal grandmother was Cherokee. Miller's father insisted on the name Johnnie because he had wanted a boy, but she was often called Annie. She took up dancing to exercise her legs to help her rickets. She was considered a child dance prodigy. In an interview featured in a "behind the scenes" documentary on the making of the compilation That's Entertainment III, she said that Eleanor Powell was an early inspiration.
Miller was given a contract with RKO at the age of thirteen (she had told them she was eighteen), and remained there until 1940. The following year, Miller was offered a contract at Columbia Pictures, where she bumped friend Lucille Ball from the throne as "Queen of the B-Movies". She finally hit her mark (starting in the late 1940s) in her roles in MGM musicals such as Kiss Me, Kate, Easter Parade, and On the Town.
Miller was famed for her speed in tap dancing; she claimed to be able to tap 500 times per minute. She was known as well, especially later in her career, for her distinctive appearance, which reflected a studio-era ideal of glamor: massive black bouffant hair, heavy makeup with a slash of crimson lipstick, and fashions that emphasized her lithe figure and long dancer's legs. Her film career effectively ended in 1956 as the studio system lost steam to television, but she remained active in the theatre and on television. In 1979 she astounded audiences in the Broadway show Sugar Babies with fellow MGM veteran Mickey Rooney, which toured the United States extensively after its Broadway run. In 1983 she won the Sarah Siddons Award for her work in Chicago theatre.
Miller, who spent some time herself in these villas, passed away on this date in 2004 at the age of eighty.